Elias Transcripts – Session 1349, Sunday, May 18, 2003

ANJULI: Maybe first some little questions. I have always also connected with you the tone Veerin. In my book, Arkandin was a tone I connected with you, Inmi and Veerin also. I was wondering about that tone, and thought it could after all also be another essence like it was with Arkandin. What is this about, with this tone?

ELIAS: Another essence.

ANJULI: Did Veerin fragment from you and Arkandin, or is this a very different essence?

ELIAS: You are correct.

ANJULI: Fragmented?

ELIAS: Yes.

ANJULI: Ah, okay, then I am correct with that essence, then I can... Where is my pen? (Laughs) Yes, then I continue.

Because I am quite confidant with most of my impressions that I have, I don’t feel the need so much anymore to ask you about each detailed one.

ELIAS: Ha ha ha! Very well!

ANJULI: Within my various explorations, you think the direction of percentage of being correct, or my feeling into what trust is and when I am right, is right? (Laughs)

ELIAS: Yes. You incorporate a tremendous percentage, Myranda, of offering yourself accurate impressions.

ANJULI: Oh good, because the impressions will increase and increase when I start feeling into the stories of all of my focuses. Then maybe I discover more shared focuses with Elias and more names of other essences with my focuses. I think I am choosing to talk with you about that subjectively and in our private sessions outside of this energy exchange, and not ask you in phone sessions about all of these millions of impressions. (Both laugh)

Ja, also that little fun we had with Baruch, Awan and Lucille with the Randel family in Australia – I thought that my focus Cindy Cunningham had the name Cindy Randel before she married and is a sister of David Randel/Baruch.

ELIAS: Yes.

ANJULI: Has Sandel a focus there, too, with the name Amanda Randel, also as a sister of my focus Cindy?

ELIAS: Yes.

ANJULI: Is George Frideric Handel a focus of her essence, the musician?

ELIAS: Observing essence.

ANJULI: Like me, observing. (Elias laughs) Is Cyril Wilde, the brother of my focus Vyvyan Wilde, a focus of Carter/Cynthia?

ELIAS: Yes.

ANJULI: Ah! How did you like it, Elias, when you as Oscar Wilde had guests and wanted a preview of our costumes for the fancy dress party as Little Lord Fauntleroy, and Cyril and I came down naked because we did not like our dresses and would have preferred to wear our sailor suits? (Elias laughs loudly) Wasn’t that a great fun?

Another essence tone impression – Lucille was doing an “An and On” tone game, and I suggested to Lucille maybe there is an essence with the tone Anandon. Is there an essence with that tone?

ELIAS: Yes.

ANJULI: Fragmented from Myranda and Lucille?

ELIAS: Yes.

ANJULI: Oh, Elias! (Elias laughs) She will be just SO happy.

Let’s see, I am practicing to create letting my blue stuffed Pegasus fly. So far I didn’t.

ELIAS: (Laughs) But perhaps you shall!

ANJULI: Ja and I was wondering, looking at it and trying to push it, does that work?

ELIAS: It is not a matter of pushing. It is a matter of allowing and not doubting.

ANJULI: But when my attention is on it, it is like with other forms. When I want to change an object in my apartment, do I need to be more subjectively focused when doing that or using my inner senses more, or what?

ELIAS: Not necessarily. Merely relax and defocus your objective awareness slightly. It is a very similar action to tipping a table. You direct your concentration but you also defocus your objective awareness slightly. That creates an allowance.

ANJULI: Sid/Calum and I read in Session #321 [9/20/98] that when we want to create something and wrap time around it, it creates thickness and then it becomes manifest. When we want to manifest something, does allowing also mean that we are not impatient and maybe also sometimes there is some time aspect also, or not necessarily?

ELIAS: Yes. Yes, there is an involvement of time in what you manifest, for this is a catalyst, so to speak, for physical manifestations. In this, as you defocus your objective awareness slightly and you allow yourself to relax and generate that allowance, you, in a manner of speaking, bend time in a manner that allows you to create physical manifestations. (Pause)

ANJULI: (Mary’s dog barks) What is Mary’s dog telling me? (Elias chuckles) And for time travel... (Pause)

ELIAS: Yes?

ANJULI: ...is this also about becoming less solid? We allow ourselves to, let’s say, experience our objective imagery as abstract, feeling less solid and experience simultaneous time, using our Dream Walker probably, and use other tools to feel less solid. Would that help in time travel?

ELIAS: Yes. Actually time travel, so to speak, is quite simple, for this is merely an action of projecting.

ANJULI: I am doing projection with less solidity into other times after all already. But we want also do it with full solidity.

ELIAS: Correct.

ANJULI: Is this our belief, that we think that is more difficult?

ELIAS: Yes.

ANJULI: Is this the same as with translating you into solid form, when I feel you to be here in form but you are not full solid? Is this also because of my beliefs, that I think to translate you into full solidity to be more difficult?

ELIAS: Yes, and one of the reasons that you believe this to be more difficult is that it is unfamiliar to you.

ANJULI: Yes. So we just start with that experience and other experiences of unfamiliarness, and then it becomes more familiar.

ELIAS: Quite. The difference is is that you believe that you are interactive with other individuals that are already physically present. Your association with interactions is that you are not necessarily creating the physical form of another individual – it merely is and they have created it. But you are unfamiliar with the workings, so to speak, of these manifestations and how you are physically projecting energy to manifest.

But in that, as you believe that other individuals are already manifest, you do not concern yourself with creating the image of them. You automatically generate that action immediately in the moment, effortlessly, and you do not incorporate any examination of it or thought process. But if you are attempting to manifest a physical form from what you perceive to be nothing, this becomes much more challenging, for you do...

ANJULI: Because of my beliefs.

ELIAS: Correct, and you do incorporate evaluation and thought processes and questioning, and you present to yourself your expressed beliefs. You are generating expressed beliefs in the other actions also, but you are not concerning yourself with them, for they are familiar.

ANJULI: Also the belief is that this would be a big, big, big thing and just meeting somebody whom I also create, that is viewed by me as created already, and that is nothing. That is the belief.

ELIAS: Correct. (Pause)

ANJULI: And then I would like to ask you about energy.

ELIAS: Very well.

ANJULI: When I am exploring to change something in my energy field, I have the impression that I don’t necessarily always do that through the energy centers.

ELIAS: Correct.

ANJULI: The energy itself is ... feels like ... everything in the energy field is... I don’t know how to express it. I can use my energy field as if I have fingers that I can move. All parts in my energy field feel like little energy centers.

ELIAS: I am understanding.

ANJULI: So are what we think to be energy centers more a translation already, into...?

ELIAS: You do incorporate energy centers within your physical body consciousness. They do radiate outward and they do generate your energy field, so to speak. But there are energy centers also which are not actually centered within your physical body consciousness. They are outside of your physical body consciousness and they also contribute to your energy field.

ANJULI: Oh, is this probably what my experience is when I merge with my other-dimensional crystal focus? He has these many tiny or what energy centers. There are sort of rays coming from one and connect with the other, and they interchange and all kind of stuff. I always felt that he was showing me that I can do the same with my energy field, that this is the same.

ELIAS: Yes.

ANJULI: Interesting. Can our energy field be very, very large so that it always feels like being everywhere?

ELIAS: Yes.

ANJULI: When it does not seem to be so large, is it then that sometimes my attention is not on this large part? Or is the large part feeling less... Is there a part of my energy field that feels more filled with energy, or is it more because of how I put my attention? Is my energy everywhere the same in my energy field, the same intensity?

ELIAS: No, not consistently and it fluctuates. For if you are expressing an openness, you generate a much broader or vaster energy field. If you are constricting yourself, your energy field retracts.

ANJULI: Would it be beneficial for me to increase the time frameworks in which I am practicing with my energy field?

ELIAS: It is a choice.

ANJULI: I’ll feel it, whatever is necessary in the moment.

ELIAS: Very well. (Chuckles)

ANJULI: He just says very well! (Laughs) Ja, I was sometimes thinking if it would be beneficial for me to be more focusing on other dimensions or on the subjective. I am not sure; probably I have a little bit distracted myself in certain challenges and putting my attention outside of self, but I probably also get lots of information in that, but I wasn’t sure.

ELIAS: Correct. These are choices, Myranda, and in this it is not a matter of what is better but what you prefer and listening to yourself and trusting your own choices and your own movement, and not...

ANJULI: Right now, for example, it was probably really my desire to create all these challenges and to put my attention on my beliefs and on my reactions to the challenges, knowing that this was beneficial for all of my other choices and wants that I want to create, that this is beneficial and it is not putting me away from that.

ELIAS: Correct, and also do not compare. Allow yourself to trust yourself and know that your experiences are beneficial for they offer you information. Not all information is acquired through comfortable situations.

ANJULI: Well, Elias, after all we had our midnight meeting the last time, and it was the specific one that is in a specific chapter in my book. I was surprised when I created that chapter in a different way, but I did, and I have always been so afraid of it. Did I tell myself something when I wrote in my book at that time about something that is happening now, or...?

ELIAS: In a manner of speaking, yes, in relation to your movement and your discovery of self in many different manners.

ANJULI: It helped me actually a lot to think of that chapter in my book because there is so much information. In the book, when I wrote it I wrote it from a sort of distance, watching Runi and Inmi and the others, all her emotions and all that, and also to know that it is temporary. It was very challenging but temporary, and to know how my creations now continue because I knew how it is in my book, that helped.

ELIAS: Correct.

ANJULI: Now we are experiencing the part of my book where I am in the sort of enchanted house, magic house.

ELIAS: (Chuckles) And this may offer you tremendous freedom.

ANJULI: Yes. I am glad that I am now there. Elias, when I think back to that challenging situation, I have sort of a memory that apparently I was very challenged and I compared it with the chapter in the book, but now it does not feel that intense anymore when thinking back. So the past is sort of changed?

ELIAS: Yes.

ANJULI: Ja. And then Elias, Paula/Gloria and I, we talked a little bit about this feeling into energy and her session with you. I was exploring that and also right now talked with Mary about that, so it could be that many of us start to have these experiences.

ELIAS: Yes, and also recognize that there is a fluctuation occurring in energy presently, which may be affecting in different manners in association with energy and your experiences.

ANJULI: In the past you said something about we are in a wave of exposure. Are we still in such a wave?

ELIAS: To some degree, but what is occurring presently is a fluctuation in energy in preparing for another wave in consciousness addressing to another belief system.

ANJULI: This feeling into energy of other people and communicating without verbal language also has something to do with no separation and that there are no secrets in consciousness?

ELIAS: Correct.

ANJULI: Ja, and I observed myself and I had the impression when we start to have these experiences, it sort of throws you back to self a lot...

ELIAS: Yes.

ANJULI: ...to know that everybody can see everything in your energy.

ELIAS: (Laughs) Which is the element of exposure, is it not?

ANJULI: Ja. At some point it is very freeing because you can’t escape from accepting yourself anymore.

When I read the energies of other people, I feel this without using a thought process, but I may also use a thought process to translate it. Within the thought process about the perceived energy of the other person is there a possible distortion due to our beliefs?

ELIAS: At times, but not necessarily.

ANJULI: Ja, and when we feel in the energy of another person we also get communications from self, like fears or whatever, messages about our reactions, about our judgments or whatever, our reactions to the energy we feel.

ELIAS: Which is also, in your terms, helpful in identifying the difference between your own energy expression and one that you may be engaging that is not being expressed by you.

ANJULI: Is there something to be considered about how I direct my attention, like sometimes it feels as if it is hard to hold my attention on self. I get distracted or I want to have my attention elsewhere, or... I am not sure. It is also my choice what energies I feel into?

ELIAS: Yes. But I may also express to you that many times if you are generating an openness, you may be encountering other energies that you are not objectively aware of drawing to yourself. But you shall be quickly if you are paying attention, for you shall notice that it differs from your energy. Are you understanding?

ANJULI: Yes, I think I have a little bit of fears in that direction, because I had some conflicts about this opening. No, after all I can decide to which energy I am open.

ELIAS: Yes, and also recognize that if you are genuinely holding your attention upon self and trusting yourself, it matters not what you draw to yourself in other energies.

What is important is that you pay attention to yourself, you trust yourself, and therefore if you are drawing to yourself an energy which you dislike, so to speak, you incorporate the ability to immediately reconfigure that and respond in a manner which is more configured to your preference.

Therefore if there is an energy that you have drawn to yourself that is distressing to you, you can alter that and configure it in a different manner and quite literally change it into an energy that you prefer, merely by your responsiveness to it. But the key in that is to be genuinely paying attention to yourself and to genuinely be trusting yourself.

ANJULI: Would it also be helpful in that to be practicing what you once suggested to me, to remember that merger with you and the beingness I felt, so to practice experiencing everything being beingness?

ELIAS: Yes.

ANJULI: Because then I am not judging and then I also do not lend energy to my duplicity beliefs, victim beliefs, or feel that some energy would be not good for me.

ELIAS: Correct.

ANJULI: About communicating through energy, I am curious about creating a sort of – well, I already have this imagery often about the “innernet” instead of the Internet. We created after all the Internet; we can also create an innernet.

ELIAS: (Laughs) Quite.

ANJULI: This innernet is not like the Internet, just about connecting people in our time, but I can connect with what I like and then translate it as an innernet and also create that communication to be objectified.

ELIAS: Yes.

ANJULI: Then I can have an innernet-group with nonphysical essences and future beings and other-dimensional beings...

ELIAS: Yes.

ANJULI: ...like I do with a usual normal group.

ELIAS: Yes.

ANJULI: Can I get mail from them?

ELIAS: (Chuckles) If you are so choosing.

ANJULI: I got a mail, and the mail just said “test” and there was no mail address sender. (Elias laughs) I thought that to be unusual and it maybe has a normal explanation; then I thought no, I want it to be from my love in the future, Timothy/Eliantan, that he sent me a mail.

ELIAS: (Laughs) And you are experimenting.

ANJULI: Ja, and then I thought it must be true and that this mail could be seen as a linking from his time to my time through the innernet. Then I felt a change in my computer sort of and I started to send him mails. I sent them to my own address, but I started to experiment if it can travel through the innernet to him. I felt his energy and I think it worked.

ELIAS: (Laughs) I may express to you, this may prove to be a fun game.

ANJULI: Ja, and did Timothy get my mails?

ELIAS: Yes.

ANJULI: And he wants to send me a mail, too? I just have to allow it?

ELIAS: Correct.

ANJULI: This little test mail, was that from him?

ELIAS: Yes.

ANJULI: (Laughs) Oh great, Elias! Now when I go into the room with my computer, first my attention goes to the normal reality, and then I recognize that and then I think these mails which come in now, they can be from Timothy, or there can suddenly be a new game on my computer or his mail is in another file. This can all be?

ELIAS: Yes.

ANJULI: Recently there was on TV a little disturbance. I thought I probably created it and that I can create suddenly my TV showing Arkandin van Anderson, the father of my future Alterversity focus Myr, talking to me?

ELIAS: If you are so choosing.

ANJULI: Oh, Elias! I felt his attention. I think he is doing in his time some sort of screen things. I often saw him doing something like that, using a screen but the screen is just a tool, an imagery to create on, showing up everything he likes.

ELIAS: Yes.

ANJULI: And he knows that I know that, and he shows me that, and I can do that with my TV?

ELIAS: Yes.

ANJULI: And then I translate you into solid form, Elias, and then we watch Arkandin on TV!

ELIAS: Very well! (Pause)

ANJULI: Maybe a little question I had around three dreams I had once in the night – I knew that I was dreaming and I knew that I was in a state of just being very open. I had the impression that there was an energy connection with one of the twelve essences facilitating the energy exchange and I felt her energy; then I felt that I translated her into form. She did not do this beaming that you did when you visited me. I felt that I translated her. She was not fully solid but in the same solidity you had when you visited me. Later, still during sleep, I thought it was Twylah. Is this correct?

ELIAS: Correct.

ANJULI: And I translated her, she did not beam...

ELIAS: Correct. Now you have offered yourself evidence of your ability.

ANJULI: Ja, I have. I did, after all, do this.

ELIAS: Yes.

ANJULI: I knew it was Twylah. I felt it was Twylah because when I had a connection with my fluid focus – he visited me again – this time he was looking like a little mountain with two sort of crystal-tree fairy-arm expression things, like two arms, and they were very tender when I touched them. I said, “Who are you?” and I touched these two arms or energy expressions of him, and it was such a sweet experience. This is why I thought it was Twylah, that he told me that was Twylah with these two arms he had, these two energy expressions. I was wondering, did he change his form – because my fluid focus can change his form always, after all – and then I translated his different form into this form?

ELIAS: Yes.

ANJULI: What were these energy arms? Were they a specific energy I touched?

ELIAS: It is a translation that you created to incorporate a type of physical interaction, a touch.

ANJULI: For him, how did he experience that? He did not experience adjusting his form to my dimension; he felt my form to be different than I feel my form.

ELIAS: Correct.

ANJULI: I think, if I remember correctly, I later had a dream about visiting his dimension. There was what I translated as flat water and there were sort of beings in there, and I was a little bit afraid. Was I visiting his dimension then?

ELIAS: Yes.

ANJULI: Then the dream continued. I dreamt that there were many beings and each one had a bird on their shoulder and the birds were not separate. They belonged to a flock of birds. The birds started flying and when they were flying they were a flock, of course, again. I felt the energy rushing through my essence and my energy field, and then the birds were flying back and the energy again rushed through me. Then the birds were landing on the shoulder of these beings again, and I thought this is Rose and she is showing me what a dispersed essence is.

ELIAS: Yes.

ANJULI: She showed me that my essence is like a flock of birds...

ELIAS: Correct.

ANJULI: ...and the birds are on the shoulders, so to speak. They are within each essence.

ELIAS: Yes.

ANJULI: Oh, isn’t that beautiful!

ELIAS: (Chuckles) Interesting analogy.

ANJULI: It was such a pleasure when that energy moved through me, Elias. Can I do this with my energy also, moving like that?

ELIAS: Yes.

ANJULI: Am I doing that often?

ELIAS: Frequently.

ANJULI: I can rush with my energy through your energy like that also?

ELIAS: Yes, you may.

ANJULI: Are my and your essence looking like the two trees in my garden?

ELIAS: If you wish to image them in that manner. You may image our energies in any manner that you choose, my friend.

ANJULI: Oh yes, Elias, and then later I had another experience with my fluid focus. That was during a nap in my day and I was sleeping on my stomach. He was doing what you did, almost like the beaming you do. He was appearing on one side of my body. This time he was not like a mountain. He was really like a little pond and he covered my body and moved over my back to the other side. Then I said, “Oh, do it again,” because it was such a pleasure, and he did it again. That was again my fluid focus?

ELIAS: Yes.

ANJULI: We are now being much better in not being afraid of each other, and we are playing. (Elias laughs)

Since I was thinking about my book and about that chapter in my book, we talked about this feeling myself to be in an enchanted place.

ELIAS: Yes.

ANJULI: An enchanted place – that means I can create, for example, that there is a door and I can go through this door and visit Joshua/Ahmed in my time or visit Timothy/Eliantan in the future or visit my Myr Island or visit another dimension. I can do that?

ELIAS: Yes, you may.

ANJULI: In my book there is this imagery of the Punkthouse, which we translated as being created by the energy of Patel. Is Patel assisting me in creating the doors within my enchanted place?

ELIAS: Yes.

ANJULI: That was a while ago. I connected with Timothy/Eliantan in the same way I always do and I did not find him in his house in California anymore. I felt he had moved for a while to a house in the Thousand Islands area of Canada. At first I thought he has made holidays, but I think he has permanently moved. I think he is now, after staying in Canada for a while, on a peninsula near the Darling Islands, where also is my Myr Island. Is this correct?

ELIAS: Correct.

ANJULI: His new house is on the same place where later the parents of my splinter Roni Elwing are living. Or does it just look similar? When I am visiting him there, it looks like an earlier future time of the same place on which I view my splinter Roni Elwing.

ELIAS: Yes.

ANJULI: We said Timothy/Eliantan has a friend, also a physicist, with the name Tom. Is he Tom Holland and the brother of my future focus Julian Holland?

ELIAS: Yes.

ANJULI: A focus of Tomkin?

ELIAS: Yes.

ANJULI: Is Julian Holland’s father William Holland and a focus of Lawrence?

ELIAS: No.

ANJULI: What no – to the Lawrence no, or to the name William no?

ELIAS: Lawrence.

ANJULI: But the name is William Holland?

ELIAS: Yes.

ANJULI: Is he a great-grandson of my focus Vyvyan Holland?

ELIAS: No, this is a different individual.

ANJULI: So it is not the same family.

ELIAS: Correct.

ANJULI: I shall be disappointed!

ELIAS: (Laughs) Or perhaps not!

ANJULI: I will investigate! I am sure my focuses are all connected in a very fantastic way. (Elias laughs)

Is the father of Arkandin van Anderson/Arkandin’s father Armand van Anderson/Zoltan Aragorn van Anderson, and is he also a focus of Arkandin?

ELIAS: Yes.

ANJULI: And Aragorn van Anderson/Arkandin knows my future focus Marie Waldner?

ELIAS: Yes.

ANJULI: Armand van Anderson/Zoltan has the son Arkandin van Anderson/Arkandin with Nina Viersen/Nihual, but he is married with Antoinette Liberte, a daughter of my focus Chantal Liberte?

ELIAS: Yes.

ANJULI: Oh, Elias, I started a sort of family tree connecting all of my focuses, sort of. (Elias chuckles) When this is right I can do the rest on my own and see what else is there.

ELIAS: Very well.

ANJULI: But they are all connected? Later my focus Julien LeGrande and this general feeling that there is a sort of linking of all of my focuses?

ELIAS: Yes, in a manner of speaking.

ANJULI: In a manner of speaking! (Elias chuckles) Okay, Elias.

ELIAS: I shall be anticipating our next conversation...

ANJULI: Ja, I see. You were coughing a little bit and we have to stop.

ELIAS: Ah. In the interim time framework I shall be offering playful energy to you. (Chuckles)

ANJULI: Yes, for my enchanted place and all the explorations about my beliefs and accepting them and then translating you into solid form.

ELIAS: Very well – and perhaps creating your unicorn to fly. (Both laugh)

ANJULI: Yes, I will.

ELIAS: Very well, my friend. I offer my affection to you and to your mother, and express tremendous lovingness to you.

ANJULI: Thank you, Elias. It was again such a great session. I love you so much.

ELIAS: To you also, Myranda. Au revoir.

ANJULI: Au revoir.

Elias departs at 12:05 PM.

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