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Sunday,
April 15, 2001 “Tension,
the Camouflage of Humor, and an Exercise” Participants: Mary
(Michael) and Patricia (Liva). Elias arrives at 11:38
AM. (Arrival time is 24 seconds.) ELIAS: Good morning! PATRICIA: Elias! (Elias chuckles) What’s
up, partner? ELIAS: Ha ha!
We meet again! (Jen laughs) How goes your adventure? PATRICIA: Good. ELIAS: Ah! Very well. PATRICIA: How goes your adventure? ELIAS: As always, an adventure!
(Chuckling) PATRICIA: Ah, okay! Things have been good,
Elias. I got my session, the last one, on Friday, which is pretty timely. I
was amazed. It was cool that I got it on Friday. So it’s coincidental, but
not. (Elias chuckles) Did you see my new sculpture? ELIAS: I may express to you... PATRICIA: (Laughing) It’s good to talk to
you! Go ahead, go ahead. ELIAS: I do not generally incorporate
directing energy in the manifestation of visual incorporation. PATRICIA: (Laughs) Have you been playing
with the lights? ELIAS: Merely offering an expression in
allowing you the recognition of my presence. PATRICIA: Cool. (Elias chuckles) Well,
I’ve been working in school and pursuing that, school. That’s been good,
pretty good. I’m doing well. I’m not always sure if it’s ... like we talked
about last time, I don’t want to discount myself or waste my time with it, but
I do think it is beneficial to me to be in school and to do that stuff, to
study and to open doors and all those ideas. But, Elias, I want to
make some cash! (Laughing and Elias chuckles) I like to use my creativity. I
like to paint and do sculpture and all that stuff. I’m interested in that. I
really want to do that as a career. What do you think about this, in terms of
my acceptance of self? ELIAS: (Chuckling) I may express to
you, you are already allowing yourself an expression of acceptance of your abilities
and your creativity, which is and shall be quite beneficial. PATRICIA: (Laughs) I love your wording.
It’s great! (Elias chuckles, and a pause) Oh, okay, here’s
something. I think I projected, but I was in the subjective. It was when I
was living in New Hampshire, and I guess I’m really kind of asking for a
validation, if you can tune into this, what I was doing. I was in my bed and
I floated out of my body, and then I was suddenly at the beach, wading
through the water. And oh, oh Elias! The main thing is all those sounds I
heard. Can you pinpoint any of the sounds? I remember you were there, but you
can’t be! There was ripping, like metal. (Jen makes a screeching sound, and
laughs) Transcribe that! What do you think? ELIAS: I am understanding, and I may
express to you, you are correct that you have allowed yourself to be
projecting within consciousness and allowing yourself an objective
recognition of this projection and your travel, so to speak. I may express to you, the
identification of the sound that you experienced is associated with your
energy in the action of this projection. PATRICIA: Whoa! ELIAS: Now; let me also express to you
that as you may be choosing to be projecting futurely,
you may not necessarily incorporate this type of sound or that sensation in
relation to the sound. This is an influence of underlying beliefs concerning
the mechanics, so to speak, of this action... PATRICIA: Ha ha!
That’s cool. ELIAS: ...and therefore you incorporate
a sound which, in a manner of speaking, is your imagery that you present to
yourself in relation to a movement that is almost a forcing apart, so to
speak, of one aspect of your consciousness from another aspect of your consciousness,
and your interpretation of this is to be creating this sound. PATRICIA: Yeah, it was dramatic. (Elias
laughs) It’s cool though. It’s real entertaining! (Elias chuckles) So, there’s so many
different things that I could ask – just a matter of what do I want to hear
and what do I want to hear myself say? Oh, okay, here’s a fun
one! I did an objective translation of my subjective movement, and I had a
dream about Sammy Davis Jr. dancing, and then I like related that to Gonzo.
What the hell was I dreaming about that for? I don’t think about Sammy Davis
Jr. in my daily life, Elias. Can you help me ... like, what? ELIAS: And what is your impression
concerning this imagery? PATRICIA: (Laughs) Maybe because he’s a
dancer and an entertainer, that’s one thing. There’s also a possibility that
maybe I’m connected with him, like I could be him or something; maybe it’s
that. It seemed like I was just sort of playing with it, creatively. I guess
I don’t really have a super solid impression. Sometimes I dream about things
and I can piece it together, that goes with this movement or this thing that
I’m doing, or that. But this one, I don’t have a real strong impression. But
those little hints that I gave you ... I don’t know, what do you think? ELIAS: Very well. I may express to you,
you incorporate these two characters... PATRICIA: Because of their noses!
(Laughing) ELIAS: Ha ha ha! Not necessarily! (Laughs) But to be offering yourself
a communication concerning creativity, you present yourself with one image in
association with seriousness and an appreciation of talent and creativity... PATRICIA: That must be Sammy! ELIAS: Correct. You present yourself
with the other image in relation to playfulness, to be incorporating both
expressions simultaneously. PATRICIA: Oh, god, cool! (Elias chuckles)
Now that’s strange, because I don’t think about Sammy Davis Jr. when I’m
awake, like right now. You know what I’m saying? I don’t think about Sammy
that much. Why did I choose Sammy? ELIAS: It matters not. It is merely an
expression that you choose that shall gain your attention. PATRICIA: Well, it did. Remember like two
sessions ago, we were chatting about Jesse? ‘Member that? Yeah, you do. Okay,
then I had a couple of dreams afterwards, and I used him as imagery. I’m
wondering how much of this is like Sammy Davis Jr., like on a whim I’m going
to choose this to get my attention? How much is it the possibility that it
was actually me projecting somewhere, meeting him, like his essence really
talking to me? This is a good question. Thank you! ELIAS: In relation to the other
individual, correct? PATRICIA: Yes. ELIAS: In this, I may express to you,
you create a different action than that of your dream imagery. PATRICIA: I kind of thought so. ELIAS: This is an allowance of yourself to be projecting energy to be interactive with
this individual. PATRICIA: I knew it! I knew it! That is so
cool! He is such a nice buddy – in some lives! Whoa! Did I have a life with
him, Elias, where he was a Nazi, and I was not a Nazi and was persecuted? I
think that I did. Why should I have to ask that, Elias? Can you answer both
questions? ELIAS: Very well. I may express to you,
yes, you are correct in your impression. PATRICIA: Jesus Christ! ELIAS: I may also express to you, the
reason that you present these types of questions to me is that you may validate
your impressions to the point that you allow yourself no more doubt in
relation to your impressions. PATRICIA: Definitely, yeah – good call.
You’re full of good calls! (Laughs) I’ve had a lot of dreams. I haven’t
talked to you for a while! Now the last time I was going to talk to you and
it was kind of set, I was living in New Hampshire – how coincidental was
that! Of course, I’m sure I created it myself. But then my sister had the
phone shut off for an hour – coincidental, not really, but you know what I
mean ... pretty amazing, just for that one hour. (Elias chuckles) But I think
that happened because there were certain things that I was allowing myself to
do myself, like work through myself. I think that that’s the best. I know
I’ve created movement since then in things that I’m interacting with you to
create movement in. ELIAS: Yes, and you are allowing
yourself more of an expression of interaction with other individuals also,
are you not? PATRICIA: Other individuals on earth? ELIAS: Ha ha ha ha! Yes. PATRICIA: Yes, definitely. It doesn’t
always work out the way I would like it to in certain instances, or perhaps
maybe it does work out the way I want it to, in some ways, in relation to
romantic entanglements. (Laughing) I hope there’s
some probabilities – I don’t know, maybe I do, maybe I don’t. But see, I’m a
softie, and I think that makes me want a relationship to be a certain way,
and as we know, the amount of people there are that are softies, you don’t
really meet that many of them. But maybe I can! Got any comments? (Elias
chuckles) Please, E? ELIAS: I may express to you, within
this time framework and within your movement in creating a relationship with
yourself, I may suggest that you may consider not necessarily seeking out an
intimate relationship romantically with another individual of this orientation. PATRICIA: Of soft? ELIAS: Ha ha ha! You may be... PATRICIA: Why? ‘Cause they’re all out of
control, aren’t they? ELIAS: HA HA HA HA! PATRICIA: I bet they are. I know me ...
well, you know! (Laughs) ELIAS: Although you speak the same
language, I may express to you, romantic entanglements between two
individuals of this particular orientation may be quite challenging. PATRICIA: Why? Because it’s so much? That
we’re just being expressed? (Giggles) ELIAS: For you are creating the same
type of action with each other, and in this there is an
intensity of mirroring, and at times with the expressions of
individuals holding this orientation of soft, there may be an expression of
friction, so to speak... PATRICIA: Oh, no shit! I wouldn’t have
guessed that. I don’t think I’m really interactive with a lot of softies
right now, except maybe that kid, Alex. Is he soft? ELIAS: Yes. PATRICIA: He is! (Laughing) Okay, I know
what you’re talking about. It’s too much! It is sort of too much. ELIAS: Let me express to you, my
friend... PATRICIA: Holy shit, that’s great. ELIAS: ...individuals that hold this
orientation of soft may be creating quite strongly expressed intimate
relationships with other individuals holding that same orientation. But I may
also express to you that these types of relationships shall quite challenge
your acceptance of self, for you may be expressing more of a requirement, in
your terms, of your own recognition of acceptance and the ability to hold
your attention upon self, in a manner of speaking more strongly than individuals
holding the other orientations. The reason that this is
expressed many times in relationships with two individuals holding this
orientation of soft is that the mirroring of each other is expressed quite
intensely. Therefore, that action creates an ease and a familiarity with
projecting your attention outside of yourself, for this is a familiar
expression within your physical dimension. Therefore, your automatic response
to the other individual, generally speaking, shall be to focus your attention
upon THEM. PATRICIA: Yeah, when I interact with him,
I really lose it. I mean, I was thinking of it like,
“What am I doing? NOW what am I doing?” ELIAS: Correct. PATRICIA: But see the thing is, I’ve been
working with you and thinking about all these things, and I think I have ...
but as I looked around my focus and there was my buddy, Jen, and a lot of the
time we would think about these kind of ideas and things, but I don’t think
he particularly has my mindset. I wouldn’t say my mindset is absolutely
stable, but I think I have more of a stable like mental ... you know what I
mean? ELIAS: Merely different. PATRICIA: Merely different, okay. (Elias
chuckles) Let’s talk about my intent, my intent and my color. These are fun
ideas to talk about. Can you tell me what my intent is? ELIAS: May you express to myself what your intent in this focus is? (Chuckling) PATRICIA: My intent in this focus is to be
... I think my intent in this focus is to explore. Ha ha
ha, easy! And to work within the action of this
shift with my creativity, and also it has a lot to do with learning a lot of
information, because I always want to know stuff and I always want to read
the book. ELIAS: I shall offer to you more
specifically, your individual intent in this particular focus is an
exploration of how you may be translating information that you assimilate
into an expression of your creativity. PATRICIA: That’s great! Okay, say it
again, please? ELIAS: Your intent is an expression of
translation, simply put. For what you are exploring is how you may express
information through different philosophies and different ideas into a
translated expression through your creativity. PATRICIA: That is exactly what I was
thinking about, like about painting the ideas! Yes, yes, yes! That is so
cool! That’s so exciting. Woo hoo! (Giggling, and
Elias chuckles) ELIAS: Now, express to myself your
impression as to your color. PATRICIA: Well, I’ve been working on this
one. I like a lot of colors, man. It’s hard to say. I think its something pastel. I mean, I’m not like an indigo, you
know. I think maybe it’s a light green, like lime green, this light
chartreuse green. Yes ... no ... maybe – I don’t know. ELIAS: Yes. You are correct. PATRICIA: I’m correct? ELIAS: Yes. PATRICIA: Woo hoo
hoo! Goodie! (Elias chuckles) Oh, that wasn’t so
hard. Can you give me another name for it, like spring green? ELIAS: No. I may express to you that
this particular hue holds a lighter tone, in your terms, than that which you
identify as spring green. I may express to you, an identification of this
particular hue may be associated more accurately with a type of eggshell
green. PATRICIA: Eggshell green – like Easter
eggs? (Laughing, and Elias laughs) Nice! Cool! I’m going to make some green
eggs ... if I can get the money to buy some eggs! Okay, here’s one. I want
to interact with my friend, this individual ... can I have his essence name? ELIAS: Offer identification. PATRICIA: Shit, all right. Umm ... Dowmana. Ha ha! ELIAS: I am not inquiring as to your
impression of the individual’s essence name. I am expressing to you that you
offer the identification of the individual. Ha ha ha! PATRICIA: Oh, okay; Jesse. (Laughs) ELIAS: Very well. Essence name, Alonn, A-L-O-N-N (AY lon). PATRICIA: Shit, his last tape sounds like
an “alonn.” (Elias chuckles, Jen laughs) Do we have
another focus where we’re aliens? ELIAS: Yes. PATRICIA: And we’re friends, I bet. Are we
in a war? ELIAS: Not in the terms or associations
that you identify in relation to war within this dimension, but there is an
expression which may be translated in this dimension as conflict. PATRICIA: Against each other? ELIAS: No. PATRICIA: Cool. I’m glad we can be on the
same side. (Laughing) I think when you have conflict in another focus, that
strength of energy and the emotion and all that, even though it’s not what
you call positive, it does attract ... well, if you’re going to go to war
with someone, you’re obviously going to be attracted to them because you’re
going to go with them or go against them, but anyway you’re going toward them
in some way. That was fun to say! Ha ha! How
about this dream, for shits and giggles? The dream was about the deejay who was standing at a performance at the turntables, and
I’m walking through the room and I look at him and we recognize each other. I
keep walking, and then it gets chaotic. There’s somebody rubbing drugs on me,
on my area. My impression of that ...
I’m anticipating you’re going to ask me what my impression is, so I’m going
to go ahead and say that my impression of that is that I really don’t have
much of one, and if I did, I probably wouldn’t ask. Can you help me here? ELIAS: (Chuckling) First of all,
attempt allowing yourself a translation. PATRICIA: Okay. (Laughs) Could it be ...
okay, so when I looked at him and we recognized each other, it was some sort
of connection I have with him, and then when everything got chaotic and there
was the gun and the drugs being rubbed on me, in my association with that, my
sexuality was an element. (Laughs) That’s really all I can get, though. I don’t
really understand the meaning, or why I would give myself those images. What
am I trying to do with it? What am I doing when I have those dreams and these
sorts of things? Maybe you can get a little general when you answer me. Do I
do it to get myself to recognize that, maybe to emphasize it? ELIAS: Yes, you are correct. I may also
express to you that as you create this type of imagery, you are also allowing
yourself in more of an extreme expression the opportunity to view and address
to your fear and your association in relation to your expression of sexuality
within your physical outward expressions and experience. In this, you create the
association with the drugs, so to speak, for there are two associations in
relation to the drug which you incorporate as a symbolic type of message, in
a manner of speaking. One of the associations is that it is unacceptable... PATRICIA: The drug? ELIAS: Yes, and also partially
incorporating fearfulness. The other association is excitement. Therefore,
you create this imagery in relation to your association with sexuality. One
aspect of your beliefs moves in the expression of excitement, another aspect
of influence of your beliefs moves in the expression of reservation and
hesitation in relation to fear and some expressions of unacceptability. I may express to you, the
identification of your meeting of the other individual in this dream imagery
is not necessarily an expression of meeting or knowing a specific individual.
This is a representation of any individual that you may be encountering in
which you shall call into question, in your terms, aspects of your expression
of sexuality. PATRICIA: Hmm. Hmm, hmm. (Pause) ELIAS: Shall I express to you, my
friend, the question of whether you, in actuality, wish to be exploring this
subject matter presently? For I may express to you an identification of
hesitation within your energy field, and wish not to be intrusive to you. PATRICIA: Right. I really want to move as
much as I can in the acceptance and identifying my beliefs, and that is again
an exciting and a hesitating and somewhat fearful part of my life. But I
don’t know, I feel compelled to do it. There’s so many beliefs in that area, and there’s so many
cases of what do other people think, and... ELIAS: You are quite correct, and there
are many automatic associations. PATRICIA: I guess I just want to talk
about what’s going to be most beneficial for me to concentrate on. That is
something that would be really good for me to go into and think about and
examine and explore. But I know that I only have so much that I can cover
with you today, and I just want to do what’s best right now, cover what’s
best. I don’t know if you know
or ... I just kind of feel right now like ... I’m not stuck, but there’s a
lot of different things that I’m thinking right now. (Pause) Going over my junk with
you has cleared up for me what I go through, you know what I mean? Talking
about that, I feel really validated in the ideals that I have for my life. I
feel good about that, and I can go through my day, go through school, and
feel a lot more motivated. But then also I want some excitement. I want to go
out and dance and do all my things, and I want more of that. Is there
anything we could talk about that will help me in that area? ELIAS: Very well. I shall express to
you a suggestion. PATRICIA: Okay. ELIAS: You may allow yourself a
noticing and paying attention to yourself and to your energy field. Now; what I am expressing
to you is that you may allow yourself to engage an exercise in which you may
observe your own energy field, and as you allow yourself to observe your
energy field, become familiar with the expression of your energy. For I may
offer to you, you create an expression of tension... PATRICIA: Yeah? ELIAS: Yes! And you camouflage this
tension with humor. Now; in allowing yourself
this exercise in which you may be noticing your energy field, you shall
notice in the time frameworks in which you are camouflaging, you begin
pulling your energy field closely to your physical body consciousness. Your
energy field becomes tight, in a manner of speaking. Now; as you allow
yourself merely the noticing of this action within your energy, you may also
allow yourself to relax that expression and expand your energy field, and you
in actuality may allow yourself a visual in relation to this action. This may
be the expression of your exercise. Now; as you allow
yourself to relax your energy field, you shall also view that it is
unnecessary to be maintaining the camouflage. Allow yourself to recognize
that you need not be entertaining of all other individuals. You may be merely
expressing your presence, and as you allow yourself to be relaxing of your
energy field, you shall allow yourself to be much more receptive to the
energy of other individuals, and you shall allow
yourself to express outwardly an energy to other individuals that may be more
easily received. Are you understanding? PATRICIA: Yes. ELIAS: For you shall create, in a
manner of speaking, more of a lightness of your energy as you dissipate that tension. Let me also offer to you the
suggestion that in this exercise, you allow yourself playfulness. Do not incorporate a seriousness in this action of allowing yourself to view
your energy field. I may suggest to you as you allow yourself in playfulness
to be viewing your energy field, and you are noticing that tension and the
tightness of it, perhaps you may allow yourself to engage an action of tickling
your own energy field. (Jen cracks up) HA HA HA! And this shall playfully allow you to be relaxing and
incorporating genuine humor rather than the camouflage. Ha ha ha! And you may be
incorporating FUN with this exercise. PATRICIA: (Laughing) Okay, I’ll try it!
(Elias laughs) Was I the one that moved the Ouija board the other night? ELIAS: Yes. PATRICIA: Because of tension, it didn’t
move as much as it did with my friend Paula, did it? ELIAS: You are correct. PATRICIA: I have a question. How are my
other buddies that are around right now, the other me’s that are around, the
other focuses? (Elias chuckles) ELIAS: And what shall I express to you
in response to this question? They are! (Chuckling) PATRICIA: Is one of them Chinese? ELIAS: Yes, you do incorporate a focus
in that culture. PATRICIA: Is another one American?
Probably a boy. ELIAS: In this time framework? PATRICIA: Yes. ELIAS: No. PATRICIA: I have another dream I’d like to
ask about. I was in a circle with the psychic slayers. I made someone sick,
and they called on the phone. I wonder what that’s about. ELIAS: This is merely imagery that you
have presented to yourself in identification of the strength of your
perception, that you may be creating any action within your physical
expression for it is your own perception which creates all of your reality.
Therefore, you may not in actuality be creating illness or physical affectingness in an actual other individual, but in your
creation of that individual, through your perception, you may be creating
this type of expression. PATRICIA: Creating what? ELIAS: As I have stated previously, you
create every aspect of your reality. Therefore, you also create all of the
individuals that you interact with. You create your projection of other
individuals through the mechanism of your perception. Therefore, you may be
creating any expression within your reality of any affectingness
of another individual in your projection of them. PATRICIA: That’s really an interesting
concept. Well, if that’s true, then couldn’t it also be true that I can have
whatever I want? ELIAS: Quite! PATRICIA: Okay. Well, I want to do that. ELIAS: You may. PATRICIA: Is there any information that
you can give me that will help me do that? Because right now there are a
couple of things I want that I don’t have. ELIAS: I may express to you that you
may create ANY expression or manifestation that you want, and in this, you
may be allowing yourself to be actualizing your want by recognizing what you
express within yourself that blocks that ability. Generally speaking, you
shall block that ability in denying yourself choice. As you deny yourself
choice, for you incorporate influences of beliefs that express to you the
statement that you cannot, you shall not. But as you allow yourself to
discover what you express to yourself in denial of your own choice, you may
also turn your attention and offer yourself permission that you may allow
yourself to create what you want. PATRICIA: But which choice? ELIAS: Any choice. PATRICIA: I’m thinking of what I could do,
you know what I mean? Like when I hang up the phone, what I could do to give
myself more choices. ELIAS: Allow yourself to pay attention
to you. Allow yourself to be noticing your own communications that you offer
to yourself, pay attention to your emotional communications that you express
to yourself, and in viewing a want, allow yourself to investigate inwardly
what you express to yourself, what choice you deny yourself which creates the
lack of what you want. Many times individuals
deny their choice in relation to other individuals, for many times you create
an association within yourself, denying yourself certain choices as you allow
other individuals or even establishments to dictate to you what you may or
may not accomplish, what you can or cannot do. These, many times, are quite
automatic associations, and you have become very familiar with your automatic
responses. This be the reason that they have become
automatic, and as they are automatic, you do not allow yourself an objective
identification of what you are responding to. PATRICIA: You say all that, but still I
don’t ... I mean, I could think of a few choices but... ELIAS: Offer to myself one example. PATRICIA: Okay. Next weekend I would like
to go to Washington, D.C. I would like to go down there in my car, and I
would go dancing at this club. It would be really fun, and I could see Alonn. That would be fun. But I am limited by my money,
because I have to pay tolls, I have to fill up my gas tank, I gotta pay to get in. Those are
my limitations. So I don’t really see a lot of choices there as to how I
could create that really, in reality how I could do that. ELIAS: Very well. I shall incorporate
this example, and offer explanation. In this, you identify an
action that you want to create. You also identify an objective expression
that you view to be preventing you from accomplishing this action, or
hindering you. Now; this, in actuality,
may be quite simply viewed. You view yourself to be limited in your ability
to generate money. PATRICIA: Affirmative. ELIAS: And in this, you express to
yourself limitations in your choices. You view that you NEED money to be
accomplishing certain actions. Therefore, you allow the money to dictate to
you your choice. PATRICIA: Yes. It’s quite an
establishment. ELIAS: Now; as your perception creates
ALL of your reality, you may incorporate the choice to turn your perception.
You may be, quite simply, expressing to yourself the affirmation that you
shall create your choice and that it matters not. You may trust that you do
hold the ability to generate what you want, and if the expression of money
accompanies what you want, then you shall offer yourself permission to trust
that you shall generate that also. I am
understanding that what I am expressing to you presently seems
objectively, to you, to be fantasy and oversimplifying, and that within your
expression I, Elias, am not occupying your physical focus and therefore I
have limited understanding of the workings of your physical dimension. And I
may express to you, quite incorrect. This may appear initially to be quite
simplified, but in actuality this IS the manner in which you may allow
yourself to accomplish what you want. It IS that simple. The mere recognition that
you are allowing a thing, so to speak, a physical manifestation within your
reality to dictate to you your choices, in genuineness, in itself is quite a
realization, and in actualization offers you much more of an expression of
freedom in allowing you to create your choices and to be directing of your
movement rather than being directed by a manifestation. PATRICIA: I’m going to do this. I was
going to say, “I’m going to try and do it.” But then I changed it to, “I’m
going to do this.” ELIAS: Very well, my friend! PATRICIA: I really want to do this. ELIAS: I may express to you also, do
not incorporate continuous thought concentration in this manifestation, for
that type of concentration is not the expression of trust. As you continue to
incorporate concentration within thought upon the subject matter, in
actuality what you are creating is a reinforcement of your lack of trust. PATRICIA: Right, because then I don’t
really think I can do it, so I sit around thinking about it like that will
help. ELIAS: Correct. Therefore, allow
yourself a genuine expression of trust in which you need no objective thought
process and concentration, but that you do not doubt the power of your
abilities and your perception. (Pause) PATRICIA: Here’s another thing I’d like to
address to, which is sometimes when I get ... let me talk about addressing to
emotional communication. Sometimes I feel when I go through my days and I
don’t feel all that motivated, I feel kind of bored. Is that because of the
limitation that I’ve created in the past? Because if I could go and chase
down all of my wants, I don’t think I would feel that way. I wouldn’t feel so
bored. ELIAS: Correct. PATRICIA: Well, that’s easy! (Elias
chuckles) Why are you laughing? ELIAS: I express to you quite an affection. (Chuckles) PATRICIA: I’m blushing! Okay, and so...
(Laughs) I really want this to go just easy-peasy. ELIAS: (Chuckling) And it may. (Jen
giggles) And this be the reason that I have offered
you these exercises and explanations in simplicity, that you may allow
yourself to not be incorporating complications. (Both laugh) PATRICIA: Complexity is not always a
virtue! ELIAS: Ha ha ha! Quite! PATRICIA: Oh, okay, here’s a game. My mom
is aligned with Milumet. True or not? ELIAS: Correct. PATRICIA: Ha! I knew it! That rocks! My
dad is ... what the hell is he? Sumari? He’s
aligned with Sumari? ELIAS: Sumafi. PATRICIA: He is? Holy moly!
That’s amazing! What is his essence family? ELIAS: Essence family, belonging to Sumari. PATRICIA: Ah! Well, that’s something. I
bet that’s good for his job, his Sumafi-ness. What
is my mom’s essence family? Vold? ELIAS: Correct. PATRICIA: Ha! Wow. They are electric
sometimes. (Elias chuckles) My sister is one who’s Sumari
and her essence family is Vold. ELIAS: No. PATRICIA: No? Okay, essence family
belonging to Sumari aligned with Sumari? ELIAS: No. Belonging to Zuli. PATRICIA: Oh, she’s belonging to Zuli! Oh, cute! (Giggle) That’s cute. And what is her
alignment? ELIAS: You are correct. PATRICIA: Sumari? ELIAS: Yes. PATRICIA: Oh, I like that. She is a cute
one, isn’t she? Good for her. No wonder she wants tattoos and things! She’s a
little dramatic in her outfits. I like that. ELIAS: I may express to you, I may be
incorporating one more question and we shall be disengaging. PATRICIA: Okay. I’m ready. ELIAS: Are you wishing to be offering
one more question? PATRICIA: Oh! How is my flower? (1) ELIAS: (Chuckling) It IS! PATRICIA: Oh, come on! (Elias laughs)
That’s not good enough! ELIAS: Ha ha ha! Shall you rephrase your question? PATRICIA: How is it? Can you give me a
detailed description of my flower and its present state in comparison to what
it has been pastly? And is there any manifestation
of this on earth presently that I may go and do? ELIAS: Presently, in actual physical
manifestation, no – perhaps futurely, if you are
choosing to create it. PATRICIA: Woo hoo
hoo hoo! (Giggles) ELIAS: Which may,
once again, serve as a validation to your recognition of the power of your
perception, that it creates actual physical manifestations. PATRICIA: The things that we talked about
today are ... there’s a whole lot of them, some very
exciting and entertaining ones, and the way that I’m used to creating, it’s
going to be interesting to do it the new way. I think I actually used that
method before, and I was real surprised. ELIAS: Quite! And you may be... PATRICIA: Like, this is true! ELIAS: ...incorporating more freedom
and much fun. But I am acknowledging of the challenge also. (Chuckling) I shall express
encouragement to you my friend, and continue to be offering expressions of my
presence that you may be reminded of my acknowledgment and encouragement to
you. To you in tremendous affection, as always, au revoir. Elias departs at 12:55
PM. Endnotes: (1) Jen is referring to a flower
analogy that Elias expressed in her first session (session 635, June 09, 2000). Previous session | Go to the top | Next
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